Gallery MC, New York 2010

The artwork is comprised of a projection of a computer animation over a canvas in order to reach three-dimensionality. The animation consists of lines that in a certain period of time shape the image of a person with a tendency of out-of-time appearance. The projection...
Read more

Gallery MC, New York 2005

The discourse of Zarko Basheski’s sculptures is based primarily on quotations and a direct dialogue with classical tradition. His exhibits, both in terms of their format and number, are only a small segment of a series of monumental painted heads dedicated to the legendary military...
Read more


REFLECTION AS A DYNAMIC CONNECTION OF THE PAST AND PRESENT The sculpture usually separates the space to the one conquered by it, and belongs to its volume (the material, dimensions, form and treatment), and the rest is the remaining space around it. The space of...
Read more
Alexander Zharko Basheski

Temple Exhibition 1998

Temple Exhibition 1998 he description of the temple, known in the Byzantine literature as ecphrazis, comprehends permanent movement, of the eye, its permanent transfer from one to another architectonic element where the temple’s harmony and beauty is fully attained. The beauty of the temple’s space...
Read more

Link – KIC, Skopje

Zarko Basheski’s latest exhibition is a step forward in the interpretation of sculpture in Macedonia. At the end of the first decade of the 21st century, the author’s latest investigations are based on the realistic treatment of man in 20th century sculpture in this region...
Read more

Dome Exhibition, Skopje, 1999

Koncha Pirkoska Syrian hymn from the 6th century dedicated to the temple in Edessa The roots of the authenticity of any contemporary cultural entity are most often looked for in the tradition. Generated from some historically inherited, previously verified, mutually different, but during the time...
Read more

Marble, KIC (exhibition),1994, Skopje

SCULPTURE AS PURE PLASTIC STRUCTURE At the present exhibition we get acquainted with Zarko Basheski (1957, Prilep) by way of an essential aspect of his art: his orientation for abstract plastic shaping. The basic material he uses in realizing his intentions is marble, which is...
Read more


O, you superior men, this is your greatest evil: you have not learned to dance properly – to dance over stock and stone, beyond yourselves! Nietzsche, Thus Spoke Zarathustra At the beginning of this century, when rushing towards the New and Unknown, we finally reached...
Read more