Zharko Basheski's Out of...

Zharko Basheski is an author whose work has been exhibited in many galleries and museums, has made several sculptures in public spaces and was representative of the Macedonian Pavilion on the 54th International Art Biennale in Venezia, 2011. The interest in his work is turned...

The 2012 Malta International Arts Festival’s visual art exhibition Wicc imb Wicc - images of the self explores personal portraits of and by contemporary artists. The word 'portrait' - as derived from the Latin's portrayer, meaning 'to drag out, expose, reveal'. Wicc imb Wicc aims...

Pavilion of the Republic of Macedonia 54th International Art Exhibition – La Biennale di Venezia Venue: Palazzo Pesaro Papafava, Venice PROJECT: LEAP Author: Zarko Basheski LEAP Republic of Macedonia (FYROM) is represented by two projects at the 54. International Art Exhibition in Venice– La Biennale...

The artwork is comprised of a projection of a computer animation over a canvas in order to reach three-dimensionality. The animation consists of lines that in a certain period of time shape the image of a person with a tendency of out-of-time appearance. The projection...

The discourse of Zarko Basheski’s sculptures is based primarily on quotations and a direct dialogue with classical tradition. His exhibits, both in terms of their format and number, are only a small segment of a series of monumental painted heads dedicated to the legendary military...

REFLECTION AS A DYNAMIC CONNECTION OF THE PAST AND PRESENT The sculpture usually separates the space to the one conquered by it, and belongs to its volume (the material, dimensions, form and treatment), and the rest is the remaining space around it. The space of...

Zarko Basheski’s latest exhibition is a step forward in the interpretation of sculpture in Macedonia. At the end of the first decade of the 21st century, the author’s latest investigations are based on the realistic treatment of man in 20th century sculpture in this region...

Koncha Pirkoska Syrian hymn from the 6th century dedicated to the temple in Edessa The roots of the authenticity of any contemporary cultural entity are most often looked for in the tradition. Generated from some historically inherited, previously verified, mutually different, but during the time...